We commission new and exciting opera from up-and-coming composers, that we create with a new generation of talent in site- specific productions in unusual venues.
Since our debut with Snow in 2017 we have also combined the stories of Goldilocks and The Three Little Pigs and retold the story of Robin Hood.
We kept creating after the pandemic put live performances on hold, and the resulting Episodes won an RPS Inspiration Award that celebrates work created during lockdown.
This was followed by our first audiobook for children (Dewi in the Deep) and, in 2022, our return to live performance with Beauty and the Seven Beasts.
Another production, The Yellow Wallpaper, was performed at the Copenhagen Opera Festival in August 2023, before having its UK Premiere at Sadler’s Wells Lilian Baylis Studio in September 2023.
More recently, our Dewi in the Deep audiobook was adapted to the live scene in partnership with the Royal Ballet and Opera and Charles Court Opera, with performances in Covent Garden in April 2024 and Jan-Feb 2025.
Stay in touch to hear about our future productions, we have very exciting plans in store!
Saima is Managing Partner of a renewable-energy and plant-based solutions investment outfit, an MBA & ACMA and a huge proponent of Circular Economy. She has over twenty years of strategy and financial leadership experience at global corporates, and is now applying her career skills to help strategy, business planning, and growth for the The Opera Story. Her passion project is an urban organic flower farming business supporting the environment and community.
Trustee
“Many more people today deserve to discover the satisfying and truly accessible riches that opera can offer.”
Andrew enjoyed a 30-year career in investment and development banking culminating in board-level responsibilities, afterwards joining the boards of other major international banks and companies. This was followed by a second, 11-year stint as a senior Oxford University fund-raiser. He has since retired but remains an Emeritus Fellow of Pembroke College. He is a keen amateur pianist.
Trustee
Thomas has spent many years working with opera companies in the UK as a director and assistant director. With a strong background in devising and creating new work – from pastiches for the Edinburgh Fringe to involvement as a writer – he is very aware of the importance of bringing regular new commissions to the opera genre for all those artists and audiences who thrive in it.
General Manager